Passa al contingut principal

Tutorial: Three Different Ways to Shoot Day-to-Night Time-Lapses


The know-how to properly shoot day-to-night or night-to-day when you’re capturing a time-lapse can add a special something to your final product, but the task may seem daunting at first. That’s why photographer Preston Kanak has put together this comprehensive and easy-to-follow tutorial that discusses three approaches to shooting the perfect day-to-night time-lapse.


We featured one of Kanak’s tutorials last year in which he explained how to create high-quality RAW time-lapses. That was part of a seven video series he was putting together for the Vimeo group Pay it Forward . If you want to get a more general overview of time-lapse photography, those videos will serve better.


Tutorial: Three Different Ways to Shoot Day to Night Time Lapses daytonight1


This video simply takes you through the specific case of night-to-day or day-to-night time-lapses, as Kanak does his best to explain the three options available to you when creating these: aperture priority, blend in post, and bulb ramping.


We won’t go into the specifics in the same way the video does, but suffice it to say that each method has its own benefits and pitfalls. Be it the need to remove or prevent flicker when using aperture priority, or the skill needed to properly blend a night and day time-lapse together in post, Kanak lays it all out there and leaves it up to you to decide what method suits your needs best.


Tutorial: Three Different Ways to Shoot Day to Night Time Lapses daytonight2


The full video is 50 minutes long, so it’s not going to be a quick study, but Kanak manages to present all of the information in a simple and straight-forward manner, telling you everything you need to know to go out and start shooting your own day-to-night time-lapse right away.


To see a text breakdown of what he says in the video, in addition to case-study videos for each of the three methods, head over to Kanak’s website by clicking here.


(via ISO 1200)







via PetaPixel http://petapixel.com/2013/06/15/tutorial-three-different-ways-to-shoot-day-to-night-time-lapses/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PetaPixel+%28PetaPixel%29

Comentaris

Entrades populars d'aquest blog

10 alternativas a Cuevana para ver películas online

10 alternativas a Cuevana para ver películas online : Durante este último tiempo, en Cuevana se sucedieron varios “problemas” por los cuales hubo que ajustar algunas cosas antes de tiempo (como el rediseño del sitio), que dejaron a algunos usuarios ciertos problemas para acceder a las películas o series del portal. Pero realmente esto es algo que no incumbe a los usuarios y, como sabemos, existen muchas otras alternativas a Cuevana dando vueltas por Internet, que intentaremos presentar aquí mismo. Los sitios que repasaremos funcionan del mismo modo que Cuevana, mediante la instalación de un plugin que permite visualizar los videos de Megaupload o WUShare, entre otros servicios, en una calidad de imágen realmente excelente. Tal como sucede con el más popular servicio, todos ellos tienen publicidad que en algunos casos resulta insoportable, pero como dice Federico en DotPod “a caballo regalado no se le miran los dientes”. Alternativas a Cuevana 1. Moviezet Posiblemente el mejor clon d...

Learn Composition from the Photography of Henri Cartier-Bresson

“Do you see it?” This question is a photographic mantra. Myron Barnstone , my mentor, repeats this question every day with the hopes that we do “see it.” This obvious question reminds me that even though I have seen Cartier-Bresson’s prints and read his books, there are major parts of his work which remain hidden from public view. Beneath the surface of perfectly timed snap shots is a design sensibility that is rarely challenged by contemporary photographers. Henri Cartier-Bresson. © Martine Franck Words To Know 1:1.5 Ratio: The 35mm negative measures 36mm x 24mm. Mathematically it can be reduced to a 3:2 ratio. Reduced even further it will be referred to as the 1:1.5 Ratio or the 1.5 Rectangle. Eyes: The frame of an image is created by two vertical lines and two horizontal lines. The intersection of these lines is called an eye. The four corners of a negative can be called the “eyes.” This is extremely important because the diagonals connecting these lines will form the breakdown ...

Más de 50 de las mejores herramientas online para profesores

No es una exageración afirmar que hay ciento de aplicaciones educativas por ahí por la red, para todos los gustos y de todos los colores, por lo que es difícil tratar de recogerlas todas en un listado. Sin embargo, algunas destacan más que otras por su innovación y por su capacidad para conseguir adeptos, y esas son las que protagonizan la presente recopilación. Son 50 interesantes herramientas online basadas en las recopilaciones de EduArea , las muchas ya tratadas en Wwwhat’s new y las destacadas por la experiencia. 1. Dropbox : Un disco duro virtual con varios GB gratuitos y al que se accede desde casi cualquier dispositivo. Sin embargo, es muchísimo más que eso, de hecho ya comentamos 20 razones . 2. Google Drive : La evolución de Google Docs que suma a sus múltiples herramientas de creación de documentos, un considerable espacio virtual gratuito. 3. CloudMagic : Una extensión y una app multidispositivo para buscar información simultáneamente en Gmail, Twitter, Facebook, Evernote ...